Results tagged “art” from :: ( CRIT ) :: DESIGN BLOG ::
Springtime will soon be here and there are many events to attend this month. To start off March, we're giving away 10 free tickets to the AIGA/NY Jessie Auersalo talk. To get a ticket, just post a comment and share an event we can blog about. First come first serve.
1. Small Talk: Jessie Auersalo/BIG ACTIVE
In his first-ever U.S. presentation, Jesse Auersalo will discuss his design background, its relationship to his personal background and how they all affect what he is doing now. Jesse is an illustrator dividing his time between Brooklyn and Helsinki. His distinctive, character-driven work is marked by an aesthetic he describes as, "polished and clean, as well as sticky and dirty." His images are uniquely powerful, dark, intriguing and captivating.
http://www.aigany.org/events/details/10S5/
When: March 3, 2010, 6:30 pm–8:00 pm
Where: Bumble and bumble, 3rd fl, 415 West 13th Street, New York, NY
Price: $20 members, $10 student members, $35 general public
2. Armory Arts Week
Art insiders spend their whole lives traveling from fair to fair—Venice, Basel, Miami Beach, London—but each March they return to New York for Armory Arts Week. "With Basel, in Miami, it's like the whole world moves [there] for one week, but for the rest of the year it's not really an art city," says Katelijne De Backer, longtime director of The Armory Show,"New York is the center of the art world." The Armory Show: New Art by Living Artists (Pier 94) and Modern: Art of the 20th Century (Pier 92). The twelfth edition marks another milestone for the fair with the introduction of Armory Focus, a new section that will feature an important art community every year and is premiering with Berlin. This year The Armory Show features 267 galleries from 31 countries.
http://www.armoryartsweek.com
When: March 4-7, 2010, 12:00 pm–8:00 pm
Where: Various locations, New York, NY
Price: $30 general public, $10 students
3. Working with Inhibitions to Creativity
Marilyn LaMonica, MPS, NCPsych, will discuss how psychoanalytic theory provides a unique explanation of impediments to creative work. Clinical cases of a filmmaker, a painter and a writer will be used to demonstrate how explorations of fantasized object relations lead to freer access to creative potential.
http://www.schoolofvisualarts.edu/events/index.jsp?sid0=70&page_id=181&content_id=3265
When: March 5, 2010, 6:30 pm–8:00 pm
Where: MPS Art Therapy, 133/141 West 21 Street, room 101C, New York, NY
Price: Free and open to the public. RSVP 212.592.2610 or arttherapy@sva.edu
4. The Tablet
Khoi Vinh, design director of NYTimes.com, and Matt Jacobs, designer for Six Apart, will discuss new modes of media presentation. They will address how the size of an object frames the user experience and how designers need to consider grid, typography and behavior differently. Books. Magazines. Televisions. We hear these words, and understand well what shape their content will take. But “tablet?” “Digital magazine?” How does the size of the objects frame the user experience? Influence their portability or accessibility? How will the experience with these devices compare with other more “fuller-figured” media? How do we need to consider grid, typography, and behavior differently? Hear from four perspectives how telling stories in new spaces influences new experiences.
http://interactiondesign.sva.edu/events/entry/lecture_the_tablet/
When: March 10, 2010, 6:30 pm–8:30 pm
Where: Galapagos Art Space, 16 Main Street, DUMBO, Brooklyn
Price: $6 general public, register at http://svaixd-tablet.eventbrite.com
5. Collaboration: Pablo Medina/Parsons School of Design
Can Collaboration Help Haiti? On Thursday, January 28th, Pablo Medina gave a tough assignment to the 15 students in his Experimental Typography class at Parsons The New School for Design: Use the medium of typography to help Haiti. Students are now working in pairs to satisfy the assignment. Each pair has one week to come up with 15 ideas and one more week to execute the very best of those 15 ideas. On March 11th, Pablo and his students will jointly present each of the final solutions. At the end of the presentation, the audience will vote for the most successful project and that project will - in the following weeks - be executed to achieve the ultimate goal: to help Haiti. All event proceeds will be donated to Yéle Haiti.
http://www.aigany.org/events/details/10C3/
When: March 11, 2010, 6:30 pm–8:00 pm
Where: Museum of Arts and Design, 2 Columbus Circle, New York, NY
Price: $13 members, $26 general public
6. Chris Hacker: Design Thinking & Sustainability
At the top of Chris Hacker’s agenda is the imaginative application of sustainable design thinking. He has overseen this process as Chief Design Officer at Johnson & Johnson for the last five years, and at Aveda™ for the previous five. Dubbed as “the man to bring sustainable design to corporate America”, by ID Magazine, Hacker and several members of his design and engineering team will explain their approach to sustainability in both design and business, illuminating his mission: to change the way designers think about sustainability. They will discuss how they have updated the design process at J&J, where over the last 5 years Chris has built a 120-person think tank, including an award-winning design team, where environmentally conscious decisions are a fundamental part of the process. Hacker is Chief Design Officer of the NY-based Global Strategic Design Office, Johnson & Johnson Group of Consumer Companies, leading all creative processes for brand identity, packaging design and brand imagery at J&J Consumer. Prior to J&J, Hacker lead Marketing and Design for Aveda™. His work was awarded the 2004 National Design Award for Corporate Achievement from the Smithsonian Cooper-Hewitt National Design Museum.
http://www.aigany.org/events/details/10DS/
When: March 12, 2010, 6:30 pm–8:00 pm
Where: Tishman Auditorium, 66 West 12th Street, New York, NY
Price: $20 members, $10 students, $30 general public
7. Design Trust: Partnerships to Improve Public Space
Deborah Marton, executive director of the Design Trust for Public Space, will provide an overview of several of the organization’s projects, the process that went into shaping them and their influence on public space in New York City.
http://dcrit.sva.edu/view/events/lecture-with-deborah-marton/
When: March 16, 2010, 6:00 pm–8:00 pm
Where: Design Criticism MFA Department, 136 West 21st Street, 2nd Floor, New York, NY
Price: Free and open to the public. RSVP 212.592.2228 or dcrit@sva.edu
8. The Buzellis, A Marriage of Art Direction & Illustration
Soo Jin Buzelli is the creative director of PLANSPONSOR, PLANADVISER and ai5000 magazines; Tim O'Brien once said SooJin's magazines were like "Fantasy Island for illustrators." Chris Buzelli is an award-winning illustrator who works in advertising, publishing and editorial for clients pretty much everywhere. Together they make a powerful and creative team whose love and support for illustration is hard to match. Chris Buzelli will be signing limited-edition prints after the lecture.
http://www.spd.org/calendar.php
When: March 16, 2010, 6:30 pm–8:30 pm
Where: Design Criticism MFA Department, 136 West 21st Street, 2nd Floor, New York, NY
Price: $10 members, $7 students, $15 general public RSVP 212.838.2560 or jessica@societyofillustrators.org
9. Type Salon: Cooking with Type
Douglas Riccardi will speak about his cookbook work for Mario Batali and give an survey of cookbook design and typography through the years: discovering trends, uncovering the roots of conventions, and perhaps even discovering new possibilities. After working in New York and Italy for 10 years, Ricardi founded Memo Productions in 1993. The studio’s work focuses on brand identity and development with many clients in the restaurant, food and hospitality industry. He has designed 8 best-selling cookbooks and for Mario Batali and 8 restaurants for celebrity chef Mario Batali.
http://tdc.org/tdc/archives/1049
When: March 18, 2010, 6:00 pm–8:00 pm
Where: Type Directors Club, 347 West 36th Street, Suite 603, New York, NY
Price: Free for members, $15 students, $20 general public RSVP 212.633.8643 or director@tdc.org
10. Stewart Smith
Greg Brunkalla has been directing commercial content, music videos, and other moving images in New York City since 2002. He has recently founded a new media company with industry friends called Legs, based out of Milk Studios in NYC. Legs' first project was a multifaceted black-and-white film campaign for Diesel.com. Greg was nominated for an Emmy for a series he directs for The New York Times Style Magazine. Other clients include: Nike, Levi's, Kia, and Diet Coke. Agencies he has worked with include: Mother, Taxi, Farfar, Duetsche, 180, and Ogilvy. He lives in Brooklyn. Greg is part of the ADC Young Guns 6 class of winners, honored in 2008.
http://www.apple.com/retail/soho/
When: March 22, 2010, 6:30–8:00 pm
Where: Apple Store SoHo, 103 Prince Street, New York, NY
Price: Free, no reservation required
11. E Pluribus Unum: Creating Design Policy in the U.S.A.
Casey Jones, Director of Design Excellence and the Arts for the U.S. General Services Administration (GSA), will discuss his role in overseeing the design and development of new and renovated federal buildings as well as the artwork commissioned for them. Previously, Jones led jones|kroloff with Reed Kroloff (Director of Cranbrook Academy), an architect selection advisory firm whose clients included the Whitney Museum of Art, Yale University, Friends of the High Line and Brad Pitt’s Global Green USA.
http://dcrit.sva.edu/view/events/lecture-with-casey-jones/
When: March 30, 2010, 6:00 pm–8:00 pm
Where: Design Criticism MFA Department, 136 West 21st Street, 2nd Floor, New York, NY
Price: Free and open to the public. RSVP 212.592.2228 or dcrit@sva.edu
I’m amazed by this beautiful paper craft stop-motion animation. Created by New Zealand agency Colenso BBDO and London firm Andersen M Studios, this film promotes the New Zealand Book Council, and features a classic New Zealand novel, Going West by Maurice Gee. The concept is showing Gee’s classic coming to life through hand-cut pop-up scenery springing up from the pages.
The two minute film took eights months of hand-cutting, plenty of x-acto blades, paper and a lot of patience. “The idea that lies at the center of this project is that reading is an activity that surprises, delights, challenges and ignites the imagination,” said Noel Murphy, chief executive of the New Zealand Book Council.
This film reminds me of the incredible and inspiring paper sculptures at the Slash: Paper exhibition I recently saw at MAD. It’s one of the best shows I’ve seen this year. The intricate pieces are created with a range of techniques, including burning, laser-cutting, tearing, folding, shredding, but mostly hand-cutting. My favorite pieces were the modified books that were transformed into sculptures.
If you haven’t gone yet, definitely check it out before it closes—the installations will leave you inspired to see what can be done with paper. I recommend going Thursday nights between 6 and 9 p.m., when admission is “pay-what-you-wish”.
The two minute film took eights months of hand-cutting, plenty of x-acto blades, paper and a lot of patience. “The idea that lies at the center of this project is that reading is an activity that surprises, delights, challenges and ignites the imagination,” said Noel Murphy, chief executive of the New Zealand Book Council.
This film reminds me of the incredible and inspiring paper sculptures at the Slash: Paper exhibition I recently saw at MAD. It’s one of the best shows I’ve seen this year. The intricate pieces are created with a range of techniques, including burning, laser-cutting, tearing, folding, shredding, but mostly hand-cutting. My favorite pieces were the modified books that were transformed into sculptures.
The Story of Art, 2006 by Georgia Russell
Peaceable Kingdom (Evening Land), 2008 by Lane Twitchell
Your House, 2006 by Olafur Eliasson
A History of Flight by Lizzie Buckmaster Dove
If you haven’t gone yet, definitely check it out before it closes—the installations will leave you inspired to see what can be done with paper. I recommend going Thursday nights between 6 and 9 p.m., when admission is “pay-what-you-wish”.
